SKU: 89571794174
maxi cosi pria max 85

maxi cosi pria max 85 Maxi-Cosi Pria Max All-in-One Convertible Car Seat Escargot

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Description

maxi cosi pria max 85 Maxi-Cosi Pria Max All-in-One Convertible Car Seat EscargotThe Maxi Cosi Pria Max All in One Convertible Car Seat is thoughtfully designed with features to simplify your life as you and your child journey together in the years ahead. Pria Max is all about quick and easy, comfy and securea convertible carseat specially made for your little one with conveniences parents love. ClipQuik, the 1 handed, magnetic chest clip, and the Out of the Way spring assist harness holders make putting your child in and taking

The Maxi-Cosi Pria™ Max All-in-One Convertible Car Seat is thoughtfully designed with features to simplify your life as you and your child journey together in the years ahead. Pria Max is all about quick and easy, comfy and secure––a convertible carseat specially made for your little one with conveniences parents love. ClipQuik, the 1-handed, magnetic chest clip, and the Out-of-the-Way spring-assist harness holders make putting your child in and taking them out of their car seat easier than ever. And, when they grow overnight, our infant to toddler car seat has QuikFit, our 1-handed, integrated headrest and harness system, easily raises for the proper, comfortable fit. Even installation is a breeze with the 1-click LATCH connectors.

Key to the design of this grow with me car seat are the premium fabrics. The Pria Max all in one car seat is designed with EcoCare, our future-friendly, 100%-recycled fabric made from plastic bottles. The yarn produced is soft, comfortable, and breathable––perfect for your little one.

And our soft, plush PureCosi™ fabric is made without added fire retardant treatments, which is better for both your child and our planet. All fabrics are machine-washable and dryer-safe.

Our infant to toddler car seat has 3 modes: rear facing car seat (5–40 lbs., 19"–40"), forward facing car seat (30–65 lbs., 34.4"–49"), belt-positioning booster car seat (40–100 lbs., 43.4"–52").

This car seat is engineered and tested to meet or exceed federal safety standards. Meets federal Side Impact standard.

Actual fit may vary. Not all children will comfortably fit in the car seat for the full weight and height ranges listed.

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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 89571794174

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4.5 ★★★★★
Based on 9 reviews
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Verified Purchase
Trendy Chic
Port Orchard, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 8, 2024
M
Verified Purchase
Matthew
Carnegie, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2025
T
Verified Purchase
T
Omaha, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 14, 2025
A
Verified Purchase
AMD
Cuba, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Verified Purchase
Dr.C.J.Singh.Wallia
Draper, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 7, 2020

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